Postdigital
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Postdigital [1] (http://ethnomus.ucr.edu/remix_culture/postdigital.htm) is a term which has recently come into use in the discourse of digital artistic practice. This term points significantly to our rapidly changed and changing relationships with digital technologies and art forms.
Kim Cascone uses the term in his article The Aesthetics of Failure: "Post-digital" Tendencies in Contemporary Computer Music. [2] (http://www.anechoicmedia.com/twiki/pub/Main/RandomSystemWorkshop/CMJ24_4Cascone.pdf) He begins the article with a quotation from MIT Media Lab cyberpundit Nicholas Negroponte: "The digital revolution is over." Cascone goes on to describe what he sees as a 'post-digital' line of flight in the music also commonly known as glitch or microsound music, observing that 'with electronic commerce now a natural part of the business fabric of the Western world and Hollywood cranking out digital fluff by the gigabyte, the medium of digital technology holds less fascination for composers in and of itself.'
In other words, digital tools have become so ubiquitous as to be taken for granted by today's composers and producers; what is interesting is not the tools in themselves but rather the new horizons of artistic possibility they open up.
See also
External Links
- Article: Dawn of a Post-Digital Era (http://www.extremetech.com/article2/0,1558,795297,00.asp)
- Outline: NsF Post Digital Library Futures Workshop (http://www.sis.pitt.edu/~dlwkshop/)
- Article: The Aesthetics of Failure, alternative site (http://www.mediamatic.net/article-200.5950.html)
- Exhibition: Post Digital Painting (http://www.cranbrookart.edu/museum/postdigital.html)