Roman Polanski

From Academic Kids

Template:Titlelacksdiacritics

Roman Polanski (born August 18, 1933) is a celebrated Polish film director and actor.

Contents

1 Early life 1 Early career and tragedy 2 The seventies 3 Statutory rape charge 4 Later career 5 Style 6 Other facts 7 Filmography 7.1 Film director 7.2 Actor 8 References 9 External links

Early life

Raymond Roman Polanski was born in Paris as Raimund Liebling to Ryszard Polanski (aka Ryszard Liebling), a Jew, and Bula Polanska (n�e Katz), a Roman Catholic. In 1937 his family moved back to Poland, where they were eventually captured and imprisoned by the Nazis, along with with millions of other Polish Jews. His mother died in a concentration camp, but Polanski avoided incarceration there, escaped the Cracow Ghetto and spent the war wandering the countryside of Europe. These experiences later influenced the style in which he directed his 2002 film The Pianist.

He was educated at the film school in Lodz, Poland, from which he graduated in 1959.

Polanski speaks five languages: Polish, Russian, English, French and Italian.

Early career and tragedy

Several short films made during the study gained considerable recognition. His first major film Knife in the Water (1962) was the first significant Polish film after the war that was not associated with the war theme. It was Polanski's first nomination for the Oscar.

Polanski then made films in Britain; Repulsion (1965), a disturbing tale of madness and alienation; Cul-de-Sac (1966) is similar in tone to the plays of Samuel Beckett, telling the story of a couple living on a remote island (Donald Pleasance and Francoise Dorleac) who are visited by two gangsters (Lionel Stander and Jack MacGowran).

The Fearless Vampire Killers (1967) is the American title for Dance of the Vampires, an unusual combination of comedy and horror. Polanski's visuals give the film the feeling of a fairy tale, and at the same time he continues to explore the darker side of human relationships. The director was not happy with the American version of the film, which was re-cut in addition to having its title changed.

Polanski met rising starlet Sharon Tate while filming The Fearless Vampire Killers and during their time together doing the film they began dating. In 1968 Polanski went to Hollywood, where his reputation was enhanced by the success of the sophisticated psychological thriller Rosemary's Baby (1968), based on Ira Levin's book of the same name, about a woman (Mia Farrow) who discovers she is pregnant with Satan's baby. On January 25, 1968, he married Tate in London, England.

On August 9, 1969, Tate, who was eight months pregnant, and four others (Abigail Folger, Jay Sebring, Wojciech Frykowski, and Steven Parent) were brutally murdered by members of Charles Manson's "Family", who entered the Polanski home with the intention that they would "kill everyone there". Distraught and heartbroken, Polanski returned to Europe shortly after the killers were arrested.

Also in 1969, Polanski lost friend and collaborator Krzysztof Komeda (1931-1969). Komeda had been a popular jazz artist in Poland when the director first approached him to score a short film. He went on to score almost all of Polanski's feature films until a head injury resulted in the composer's premature death. He is probably best known in the US for the haunting soundtrack to Rosemary's Baby, but Komeda is also considered one of the most important figures of the Polish jazz scene of the 1950s and 1960s.

The seventies

Polanski's next feature was a film version of Macbeth (1971), which was both praised for its intelligence and criticized for its explicit violence. This was followed by What? (1972), a surreal comedy about a young woman (Sydne Rome) and her adventures in a remote villa inhabited by an assortment of eccentric, and sometimes scary, people.

The director's next commercial success was Chinatown (1974), based on a screenplay by Robert Towne. The film was also embraced by critics, in part for its skillful evocation of the film noir classics made by the Hollywood studios. Chinatown references the history of the real Los Angeles, but it also alludes to the imaginary Los Angeles of the movies.

It may be telling that Polanski chose to play the lead in his next film, The Tenant (1976), the story of a Polish immigrant living in Paris. The Tenant is a chilling exploration of alienation and identity, asking disturbing questions about how we define ourselves.

Statutory rape charge

The success of Chinatown had made Polanski a highly visible figure in the Hollywood community and secured his reputation as a gifted filmmaker. However, he became embroiled in a scandal surrounding rape charges involving him and a 13-year-old daughter of an actress, Samantha Geimer.

Polanski was initially charged with rape, suspicion of sodomy, child molestation and furnishing dangerous drugs to a minor; however, these charges were eventually reduced to statutory rape at the request of the victim's mother to avoid a trial. It was alleged the director drugged her with quaaludes and alcohol, and then proceeded to have sexual intercourse with her. The sister of the girl heard her reporting the fact of sexual intercourse to her friend over the phone. When Gemier's mother reported the incident to the police, Polanski fled the United States but returned later to face the charges.

On February 1, 1978, after pleading guilty to the charges, Polański skipped bail and fled to France. France has a policy not to extradite its own citizens, which is reflected in the extradition treaty between France and the United States. As a consequence, American requests of extradition could not be heeded. It was possible, however, for the US government to request Polanski's prosecution by the French authorities. (The Washington Post, February 3, 1978 [1] (http://www.vachss.com/mission/roman_polanski.html)). Likewise the United States could still request the arrest and extradition of Polanski from other countries, should he visit them. As a consequence, Polanski has since avoided visits to countries that were likely to extradite him. In 2004, he sued Vanity Fair magazine in London, but asked to be able to provide evidence over a video link rather than to show up in person in the United Kingdom, which would put him at risk of extradition to the United States [2] (http://news.bbc.co.uk/2/hi/entertainment/4019031.stm)[3] (http://www.hrothgar.co.uk/YAWS/reps/03a1573.htm).

In a 2003 interview (http://starbulletin.com/2003/03/20/features/story1.html), Samantha Geimer said that "I'm sure if he could go back, he wouldn't do it again. He made a terrible mistake but he's paid for it."

Later career

He received another Academy Award nomination for Tess (1979). Pirates (1986), a lavish period piece, was a commercial and critical failure. This was followed by Frantic (1988), probably the most conventional of the thrillers the director has made, and it, too, failed to excite critics or the general public. Frantic featured actress and model Emmanuelle Seigner, whom the director married in 1989. They have two children: Morgane and Elvis.

In May 2002, Polanski won the Palme d'Or (Golden Palm) award at the Cannes Film Festival for The Pianist, which also later won the 2002 Academy Award for Directing. He could not attend the Academy Awards in Hollywood, because he still faces sentencing of up to 50 years in prison if he ever returns to the U.S.

During the summer and autumn 2004, Polanski shot a new film adaptation of Charles Dickens' novel Oliver Twist. The shooting took place at the Barrandov studios in Prague, Czech Republic. Ronald Harwood wrote the screenplay. Starring are Barney Clark (Oliver Twist), Jamie Foreman (Bill Sykes), Harry Eden (the Artful Dodger), Ben Kingsley (Fagin), Leanne Rowe (Nancy), Edward Hardwicke (Mr Brownlow). Besides the cast, the director gathered again some of his colloborators from his previous movies : Ronald Harwood (screenplay), Allan Starski (production designer), Pawel Edelman (director of photography), Anna Sheppard (costume designer). It seems somehow important to Polański at this point to make a film for children, and maybe also for his own children. Although one could expect some dark aspects in the movie, it is also likely to be quite joyful and full of humour.

Style

Most of Polanski's works are often considered psychological thrillers. He has been called a genius of exploring the "dark sides" of human personality. His favourite theme that can be found in almost every movie he made is the relationship between the victim and the hangman (Death and The Maiden, Bitter Moon, Cul-de-Sac, Rosemary's Baby). The world of Polanski's movies is cruel, grotesque and filled with brutal sex and dark humour. The main characters seem to be frail and weak, not able to fight whatever is surrounding them. Polanski likes to shoot his films from the position of a voyeur. He has been critically praised as a director who brought intelligent and artistic values to commercial cinema (Rosemary's Baby, Chinatown). Death and the Maiden star Stuart Wilson said of Polanski, "Roman is very deep water pretending shallow water."

Other facts

• Polanski has said that the greatest regret he has about his life was not being at his home on Cielo Drive when his wife Sharon Tate, their unborn son, and friends were murdered. Tate was 8 months pregnant at the time.
• Dedicated the movie Tess to Sharon Tate. Tate put the book on his nightstand before leaving London and also left a note saying how it would make a wonderful movie.
• Mentioned in the Family Guy episode The Kiss Seen Around the World

Filmography

Film director

• Oliver Twist (2005)
• The Pianist (2002)
• The Ninth Gate (1999)
• Death and the Maiden (1994)
• Bitter Moon (1992)
• Frantic (1988)
• Pirates (1986)
• Tess (1979)
• Le Locataire (aka The Tenant) (1976)
• Chinatown (1974)
• What? (aka Diary of Forbidden Dreams) (1973)
• Macbeth (1971)
• Rosemary's Baby (1968)
• The Fearless Vampire Killers (aka Dance of the Vampires) (1967)
• Cul-de-Sac (1966)
• Repulsion (1965)
• Plus belles escroqueries du monde, Les (aka The Beautiful Swindlers) (1964)
• N�ż w wodzie (aka Knife in the Water) (1962)
• Ssaki (aka Mammals) (1962)
• Gros et le maigre, Le (aka The Fat and the Lean) (1961)
• Gdy spadaja anioly (aka When Angels Fall Down) (1959)
• Lampa (aka The Lamp) (1959)
• Dwaj ludzie z szafą (aka Two Men and a Wardrobe) - a short film (1958)
• Morderstwo (aka A Murderer) (1957)
• Rozbijemy zabawe (aka Break Up the Dance) (1957)
• Usmiech zebiczny (aka A Toothful Smile) (1957)
• Rower (aka Bicycle) (1955)

Actor

• Zemsta (aka The Revenge) as Papkin (2002)
• Hommage � Alfred (aka Tribute to Alfred Lepetit) (2000)
• Grosse fatigue (aka Dead Tired) as Roman Polanski (1994)
• Pura formalit�, Una (aka A Pure Formality) as Inspector (1994)
• Back in the U.S.S.R. as Kurilov (1992)
• En attendant Godot (TV) as Lucky (1989)
• Chass�-crois� (1982)
• Locataire, Le (aka The Tenant) as Trelkovsky (1976)
• Chinatown as Man with Knife (1974)
• Blood for Dracula as Man in Tavern (1976)
• What? as Mosquito (1972)
• The Magic Christian as Solitary drinker (1969)
• The Fearless Vampire Killers as Alfred, Abronsius' Assistant (1967)
• Repulsion as Spoon Player (1965)
• N�ż w wodzie (aka Knife in the Water) voice of Young Boy (1962)
• Samson (1961)
• Gros et le maigre, Le (aka The Fat and the Lean) as The Lean (1961)
• Ostroznie, Yeti! (aka Beware of Yeti!) (1961)
• Niewinni czarodzieje (aka Innocent Sorcerers) as Dudzio (1960)
• Do widzenia, do jutra (aka Good Bye, Till Tomorrow) as Romek (1960)
• Zezowate szczescie (aka Bad Luck) as Jola's Tutor (1960)
• Lotna as a Musician (1959)
• Gdy spadaja anioly (aka When Angels Fall Down) as an Old woman (1959)
• Zadzwoncie do mojej zony ? (aka Call My Wife) as a Dancer (1958)
• Dwaj ludzie z szafą (aka Two Men and a Wardrobe) as the Bad boy (1958)
• Koniec nocy (aka End of the Night) as the Little One (1957)
• Wraki (aka The Wrecks) (1957)
• Nikodem Dyzma as the Boy at Hotel (1956)
• Pokolenie (aka A Generation) as Mundek (1955)
• Rower (aka Bicycle) as the Boy who wants to buy a bicycle (1955)
• Zaczarowany rower (aka Magical Bicycle) as Adas (1955)
• Trzy opowiesci (aka Three Stories) as Genek 'The Little' (segment "Jacek") (1953)

References

• Aloviso, Silvio. (2002). "Roman Polański: Chinatown". Torino: Lindau. 134p. ISBN 8871804139
• Avron, Dominque. (1987). "Roman Polański". Paris: Rivages. 194p. ISBN 2869300557
• Belmans, Jacques (ed). (1971). "Roman Polański: presentation par Jacques Belmans". Paris: Seghers. 185p.
• Berkoff, Steven. (2003). "Tough acts: memories of working with Stella Adler, Christopher Plummer, Leonard Rossiter, Stanley Kubrick, Brad Davis, Eddie Murphy, Sylvester Stallone, Roman Polański, Christopher Walken, Mikhail Baryshnikov, Joan Collins, Al Pacino". London: Robson. 164p. ISBN 1851056699
• Bird, Daniel. (2002). "Roman Polański". Harpenden: Pocket Essentials. 96p. ISBN 1903047897
• Bisplinghoff, Gretchen (ed). (1979). "Roman Polański: a guide to references and resources". Boston/London: GK Hall. 116p. ISBN 0816179069
• Blume, Antje. (2003). "Roman Polański, Macbeth". Paderborn: Schoningh. 103p. ISBN 3140412355
• Bonnotte, Stephane; Zamochnikoff, Frederic. (2004). "Polański entre deux mondes". Neuilly sur Seine: Lafon. 324p. ISBN 2749901081
• Boutang, Pierre-Andre (ed). (1986). "Polański par Polanski: textes et documents". Paris: Chene. 231p. ISBN 2851084380
• Bruno, Edoardo (ed). (1993). "Roman Polański". Roma: Gremese. 123p. ISBN 8876067943
• Butler, Ivan. (1970). "The cinema of Roman Polański". London: Zwemmer. 192p. ISBN 0302020616 (pbk)
• Butler, Ivan. (1970). "The cinema of Roman Polański". New York: Barnes. 191p. ISBN 0498077128
• Castro, Antonio (ed). (1999). "Miradas sobre el mundo: veinte conversaciones con cineastas [includes Polański]". Caceres: Cinefila Re Bross. 288p.
• Censorini, Debora. (1997). "Il luogo chiuso e il perturbante nel cinema di Roman Polanski". Pavia Universita: thesis.
• Ciment, Michel. (1987). "Passeport pour Hollywood: entretiens avec Wilder, Huston, Mankiewicz, Polanski, Forman, Wenders". Paris: Seuil. 392p. ISBN 2020095270
• Conde, Michel. (2002). " Le pianiste : un film de Roman Polanski". Liege: Les Grignoux. 64p. ISBN 293036601X
• Couvy, Claire. (2003). "Anormalite, transgression et creation: a partir de l'etude du transsexualisme et du transvestisme dans l'analyse de L'annee des treize lunes de Fassbinder et Le locataire de Polanski". Paris: Sorbonne University. Thesis. 93p.
• Daubner, Anton. (1985). "Psychologische element in den filmen Roman Polanskis". Erlangen-Nurmberg Universtaat: Magisterarbeit. 157p.
• Eagle, Herbert J. (2003). "Exile and emigration in the films of Roman Polanski". IN

Stephan, Halina (ed). "Living in translation: Polish writers in America". 382p. Amsterdam; New York: Rodopi. ISBN 9042010169 (pbk)

• Eaton, Michael. (1997). "Chinatown". London: British Film Institute. 79p. ISBN 0851705324
• Edenberger, Patrizia. (1997). "Die probleme bei der audiovisuellen umsetzung phantastischer Literatur am beispiel von Der Sandmann von E.T.A. Hoffmann und Der Meister des Jungsten Tages und St. Petri-Schnee von Leo Perutz im Vergleich mit Rosemary's Baby von Ira Levin". Wien Universtaat: Dissertation. 335p.
• Elliott, Kamilla. (2003). "Rethinking the novel/film debate[discusses Polański's Tess]". Cambridge (UK): Cambridge University Press. 302p. ISBN 0521818443
• Fischer, Jens Malte. (1983). "Filmwissenchaft filmgeschichte: studien zu Welles, Hitchcock, Polanski, Pasolini und Max Steiner". Tubingen: Narr. 174p. ISBN 3878089074
• Gelmis, Joseph. (1970). "The film director as superstar [includes Polański]". New York: Doubleday. 316p.
• Gieysztor, Stefan. (2002). "Moj Pianista [Gieysztor played the piano for Adrien Brody in the movie 'The Pianist']". Jelenia Gora: Oficyna Wydawnicza ER. 111p. ISBN 8390049449
• Goodridge, Mike (ed). (2002). "Directing [interviews with Directors, including Roman Polański]". Boston: Focal Press. 176p. ISBN 0240804988
• Goulding, Daniel J (ed). (1994). "Five filmmakers: Tarkovsky, Forman, Polanski, Szabo, Makavejev". Bloomington: Indiana University Press. 289p. ISBN 0253326095 (hbk) ISBN 025338254 (pbk)
• Heffernan, Kevin. (2004). "Ghouls, gimmicks, and gold : horror films and the American movie business, 1953-1968 [chapter on Polański's Rosemary's baby]". Durham: Duke University Press. 323p. ISBN 0822332027 (hbk) ISBN 0822332159 (pbk)
• Henderson, Summers. (1999). "Polanski and Scorsese: violence sex and alienation in the New American Cinema". 250p. Austin: University of Texas. MA Thesis
• Hobbs, William. (1995). "Fight directions for stage and screen [foreword by Polański]". Portsmouth [NH]: Heinemann; London: A&C Black. 143p. ISBN 0435086804 (hbk) ISBN 0713640227 (pbk)
• Jacobsen, Wolfgang (ed). (1986). "Roman Polanski". Munchen: Hanser. 222p. ISBN 3446144099
• Jakubowski, Witold. (1997). "Lek w filmie: refleksje pedagoga [Polański and Bergman]". Krakow: Impuls. 119p. ISBN 8386994428
• Jankun-Dopartowa, Mariola. (2003). "Labirynt Polanskiego". Krakow: Rabid. 277p. ISBN 8391296105
• Kane, Pascal. (1970). "Roman Polanski". Paris: Editions du Cerf. 122p.
• Kiernan, Thomas. (1981). "Repulsion: the life and times of Roman Polanski". Sevenoaks: New English Library. 288p. ISBN 0450048373 (hbk) ISBN 0450052648 (pbk)
• Kiernan, Thomas. (1980). "Roman Polanski story". New York: Grove Press/Delilah. ISBN 0394513967 (hbk) ISBN 0394179455 (pbk)
• Kroner, Marion. (1981). "Roman Polanski: seine filme und seine welt". Schondorf: Roloff & Seelsen. ISBN 3881442197
• Lagier, Luc. (1996). "L'ambiguite dans le film d'epouvante: un essai sur la peur et son spectateur [includes discussion of Polański's Rosemary's baby]". Paris. 76p.
• Leaming, Barbara. (1982). "Roman Polanski: his life and films". London: Hamilton. ISBN 0241107520
• Leaming, Barbara. (1981). "Roman Polanski: the filmmaker as voyeur". New York: Simon and Schuster. ISBN 0671249851
• Magrelli, Enrico. (1979). "Roman Polanski". Milano: Il formichiere. 143p.
• Martin, C. (1999). "Shakespeare's 'fiend-like queen': a study of the characterisation of Lady Macbeth in the films of Orson Welles, Akira Kurosawa and Roman Polanski". Birmingham: University of Birmingham. Dissertation for MA.
• Niemeyer, Paul. (2003). "Seeing Hardy: film and television adaptations of the fiction of Thomas Hardy [includes Polański's "Tess"]". Jefferson: McFarland. 302p. ISBN 0786414294 (pbk)
• [No author/ed]. (1985). "Polanski und Skolimowski: das absurde in film". Zurich: Filmstelle VSETH/VSU. 234p.
• Parker, John. (1993). "Polanski". London: Gollancz. 287p. ISBN 0575056150
• Polański, Roman. (1975). "Three film scripts : Knife in the water [original screenplay by Jerzy Skolimowski, Jakub Goldberg and Roman Polanski ; translated by Boleslaw Sulik]; Repulsion [original screenplay by Roman Polański and Gerard Brach]. Cul-de-sac [original screenplay by Roman Polański and Gerard Brach] ; introduction by Boleslaw Sulik". New York: Fitzhenry and Whiteside. 275p. ISBN 0064300625
• Polański, Roman. (1984). "Knife in the water, Repulsion and Cul-de-sac: three filmscripts by Roman Polanski". London: Lorrimer. 214p. ISBN 0856470511 (hbk) ISBN 0856470929 (pbk)
• Polański, Roman. (2003). "Le pianiste". Paris: Avant-Scene. 126p. ISBN 2847250166
• Polański, Roman. (1985). "Roman". London: Heinemann. London: Pan. 456p. ISBN 0434591807 (hbk) ISBN 0330285971 (pbk)
• Polański, Roman. (1984). "Roman". New York: Morrow. ISBN 0688026214
• Polański, Roman. (1973). "Roman Polanski's What? From the original screenplay". London: Lorrimer. 91p. ISBN 0856470333
• Polański, Roman. (1973). "What?". New York: Third press. 91p. ISBN 089388121X
• Preljocaj, Angelin (ed). (1992). "Roman Polanski". Paris: A Colin. 130p. ISBN 2200372876
• Reynolds, Brian. (2002). "Untimely ripped: mediating witchcraft in Polanski and Shakespeare". IN Starks, Lisa (ed). "The reel Shakespeare: alternative cinema and theory". Madison: Fairleigh Dickinson University Press. ISBN 0838639399
• Rodriguez, Mauricio. (2001). "Jazz som filmmusik : Krzysztof Komedas musik till tva filmer av Polanski [Rosemary's baby]". Lund University: Institutionen for konst och musikvetenskap. Dissertation. 35p.
• Rulli, Stefano. (1975). "Roman Polanski". Firenze: La Nuova Italia. 126p.
• Scandola, Alberto. (2002). "Il fantasma e la fanciulla: tre film di Roman Polanski". Caselle di Sommacampagna: Cierre. 116p. ISBN 8883141032
• Scandola, Alberto. (2002). "Roman Polanski". Milano: Il castoro. 196p. ISBN 8880332589
• Schlappner, Martin. (1967). "Filme und ihre regissuere [includes Polański]". Berne: Huber. 195p.
• Sehrer, Claudia. (2003). "Die filmsche umsetzung von isolation in Roman Polanski filmen". Erlangen-Nurmberg Universtaat: Magisterarbeit. 106p.
• Stachowna, Grazyna. (1994). "Roman Polański i jego filmy". Warszawa: PWN. 271p. ISBN 8301113006
• Stachowna, Grazyna. (2002). "Roman Polański od A do Z". Krakow: Znak. 197p. ISBN 8324002065
• Thymark, Nina. (1978). "Polanski's films: psychoanalysis based on symbolic language". Lund: Studenlittelatur. 235p. ISBN 9144146914
• Towne, Robert. (1994). "Chinatown: the last detail, screenplays". New York: Grove. 275p. ISBN 0802134017
• Towne, Robert. (1998). "Chinatown". London: Faber. 146p. ISBN 0571204813
• Ustinov, Peter. (1999). "Reception par Sir Peter Ustinov, membre associe etranger de l'Academie des Beaux Arts de Roman Polanski elu membre de la Section des creations artistiques dans le cinema et l'audiovisuel au fauteuil precedemment occupe par M. Marcel Carne". Paris: Palais de l'Institut. 24p.
• Visscher, Jacques de. (1981). " Der tragiek van het kwaad. Een ethicologische hermeneutiek van de religieuze symboliek in 'Macbeth' van William Shakespeare in de film versie van Roman Polanski". Gent: Rijksuniveristeit. 457p.
• Visscher, Jacques de. (1984). "Het belstan als valstrik: kwaad en onschuld in de symbolische filmkunst van Roman Polanski". Wetteren: Universa. 238p.
• Werner, Paul. (1981). "Roman Polanski". Frankfurt am Main: Fischer Taschenbuch. 281p. ISBN 3596236711
• Wexman, Virginia Wright. (1985). "Roman Polanski". Boston: Twayne. London: Columbus. 160p. ISBN 086287355X (hbk) ISBN 0805792961 (pbk)
• Willoughby, Bob. (1992). "Rosemary's baby". Kiel: Nieswand. ISBN 3926048301
• Woodward, Steven. (2001). "No safe place: gender and space in Polanski’s recent films". IN Pomerance, Murray (ed). "Ladies and gentlemen, boys and girls: gender in film at the end of the twentieth century". Albany: State University of New York Press. 349p. ISBN 0791448851 (hbk) 079144886X (pbk)

External links

• Polański's official site (http://www.rp-productions.com)
• The IMDb entry on Polański (http://www.imdb.com/name/nm0000591/)
• Media coverage of the Polański rape trial (http://www.vachss.com/mission/roman_polanski.html)
  • interview with Samantha Geimer (http://starbulletin.com/2003/03/20/features/story1.html)
• March, 1977 Grand Jury Testimony of Polański's victim (http://www.thesmokinggun.com/archive/polanskia1.html)da:Roman Polanski

de:Roman Polański es:Roman Polański fr:Roman Polanski it:Roman Polanski he:רומן פולנסקי nl:Roman Polanski ja:ロマン・ポランスキー pl:Roman Polański pt:Roman Polanski sr:Роман Полански fi:Roman Polanski sv:Roman Polanski