Talk:Chord progression
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--->ALSO A certain chord can be present in several different scales
example
C E G bB appears in the scales of
CDEFGA Bb ( C mixolydian )
FGA Bb CDE ( F major )
GA Bb CDE F# ( G minor )
C Eb E F F# G Bb ( C blue scale )
etc ....
Therefore A chord is common to several tonalities
- What you listed are scales. They consist of tones, not chords! And of course a certain tone can be present in several different scales, after all there are only 12 tones.
---> Especially modern jazz artists use these "characteristics " of chords by using chords progressions to create a constantly ongoing modulation ....
Theorists/ teachers (of this particular mode of playing ) include
Nathan Davis
Hal Singer
> Performers of these styles even fabricated so called " synthetic " scales
on several ( simple three chord ) progressions ( and a different one on "bridges" in anatole -pieces / ballad and tin -pan -alley material )
Sonny Rollins is an outstanding " player " of these linear approaches to motivistic and rapid scale- changing modes of improvisation
see short discussion at Talk:Harmonic progression
--- In the table, there under major IV, one of the progressions starts with a VI, I think this is a mistake, all the others start with the same as the title of the row but I don't feel as if I know enough to change it!